Bio

Since the onset I have equated the cells of the grid to the structures of urban architecture, it is invoked in pursuit of more abstract ends, elevating from the position of an invisible framework. This provides an organisational system that makes manipulating the rules of perception and ratio easier, my personal disciplined playground. Sometimes, I like to keep the grid visible to portray the process, with permeable rawness.

The desire to obtain the maximum out of the minimum creates pure abstract harmony devoid of any elemental representation in the real world. The juxtaposition of embodied achromatic work, tactile and fragile, and the emptiness – draw attention to spatial relationships—positive or negative and absence or presence—above the subject matter.

By Aditi Verma